It may well be that Western music’s “major scale” is a musical metaphor: do is the moment of commitment. re is establishing contact with the work you’re doing, the process. mi is when you start to feel the process taking on a life of its own. mi-fa is a crisis point, wherein you suffer some disillusionment with certain presumptions and expectations. sol is when the power returns… you’re more than halfway there! But also here is temptation, the temptation to “coast”. la is when you re-commit, on a deeper level, knowing that in following the process, you have a chance to enter into the truly creative – something unforeseeable. si-do is the transition to letting go of the “push” and just allowing the result to manifest itself! ~ David Salminen’s re-working of a very old tradition, inspired by J.G. Bennett’s explanation of Gurdjieff’s mysterious law of heptaparaparshinokh, found in Bennett’s book: “Talks on Beelzebub’s Tales”.
